Join Us at MRAC on November 3rd

Celebrating Poems for the Writing at
Manayunk Roxborough Art Center
!

PLACE: Manayunk Roxborough Art Center
419 Green Lane, (rear)
Philadelphia, PA 19128

TIME: Sunday, November 3rd
3:15-5:30

Manayunk Roxborough Art Center located at 419 Green Lane (rear) in Philadelphia is offering a special humanities program: Poems for the Sharing: Celebrating Poems for the Writing. Join Lynn Levin and Valerie Fox on November 3rd, 3:15-5:30 for a reception and reading featuring Dawn Manning, Don Riggs, Luray Gross, Chris Cunningham, and Kelly McQuain (as well as Levin and Fox).

All of these poets are contributors to the craft-book Poems for the Writing: Prompts for Poets (Texture Press, 2013). Copies of the book will be available at a discounted price. Do join us in the spirit of community and collaboration.

This event is hosted by Peter Krok, Manayunk Roxborough Art Center’s Humanities Director and editor of the Schuylkill Valley Journal.  The literary series has been on-going at the MRAC since 1990.

$5 Donation requested. Refreshments will be provided. Phone:  215-482-3363

AUTHOR BIOS

CHRIS CUNNINGHAM was educated at Stanford University and Duke University, where he received a Ph.D. in modern American poetry. His work has appeared in numerous magazines, including Slate, Iowa Review, Cincinnati Review, Southwest Review, MQR, and elsewhere. He is the Dean of Faculty at the Lawrenceville School in New Jersey, where he lives with his wife and two children.

VALERIE FOX’S books include The Rorschach Factory (Straw Gate Books) and The Glass Book (Texture Press). She has published writing in Hanging Loose, West Branch, Admit2, Ping Pong, qarrtsiluni, Sentence, Apiary, and other journals. She has taught writing and literature at numerous universities including Sophia University (in Tokyo) and, most recently, at Drexel.

Poet and storyteller LURAY GROSS is the author of three collections of poetry, most recently The Perfection of Zeros, published by Word Tech. She has worked with thousands of students and teachers during her twenty-some years as a Teaching Artist. Known for her energetic and sensitive teaching style, she believes that creative expression is vital to our lives. She was awarded a Fellowship in Poetry by the New Jersey State Council on the Arts and named one of their Distinguished Teaching Artists.

LYNN LEVIN is the author of the poetry collections Miss Plastique (Ragged Sky Press); Fair Creatures of an Hour (Loonfeather Press), a Next Generation Indie Book Awards finalist in poetry; Imaginarium (Loonfeather Press), a finalist for ForeWord Magazine’s Book of the Year Award; and, A Few Questions about Paradise (Loonfeather Press). A literary translator, she translates the work of Peruvian poet Odi Gonzales. She teaches at Drexel University and the University of Pennsylvania.

KELLY MCQUAIN grew up surrounded by the mountains of West Virginia’s Monongahela National Forest. His poetry has appeared on National Public Radio and in such venues as Painted Bride Quarterly, Assaracus, Paper Nautilus, Mead, American Writing and the anthologies Poems for the Writing and Rabbit Ears: TV Poems. His fiction has appeared in such journals as Icarus, The James White Review,and The Harrington Gay Men’s Fiction Quarterly. His columns on city life appear in The Philadelphia Inquirer.

DAWN MANNING is a writer, photographer, and rogue anthropologist living in the Greater Philadelphia area. Her poetry has won the San Miguel Writing Contest and placed second in the 81st Annual Writer’s Digest Writing Competition for non-rhyming poetry. She has also received the Edith Garlow Poetry Prize. Her poems have recently been published in American Poetry Journal, Crab Orchard Review, Fairy Tale Review, and other literary journals. Dawn herds cats for a local animal rescue, Animal Friends of Lansdowne. You can also find her through Poetdelphia, a community of writers who host a quarterly literary salon, or at dawnmanning.com.

Poet, essayist, and artist DON RIGGS has been writing 140 syllables each morning for the past decade, approximately. Sometimes he writes 280 syllables, and sometimes that turns into 420. All the prose that he sticks in between each clump of 120 syllables in his regular column (for the magazine Press 1) is filler, what they call a “vamp” in the music biz, to let the reader relax and recuperate energy for the next onslaught of concentrated energy. He also teaches writing at Drexel University. He illustrated and also contributed numerous poems to Poems for the Writing.

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